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What Does the Ratio On Your Compressor Really Do?

Compression is a complex subject. Everyone has an opinion on compression and everyone uses it differently. But what do some of the parameters on a standard audio compressor do? In this post, we’ll be looking at the ratio.

The ratio is where you determine how much compression you are going to apply to a signal that goes over your threshold. For every signal that goes over the threshold, it gets compressed according to a certain ratio.

For example: A compressor with a threshold at -10dB and a 3:1 ratio is a nice starting point for vocals. If you have a semi-constant level of the vocal at -1dB it will become compressed so that it only reaches -7dB.


Because after going over the threshold the vocal reaches its peak 9dB after -10dB, or at -1dB. We take those 9dB and divide them by three, since the ratio is at 3:1. Out of that we get 3dB which we add to the threshold at -10dB. A compression of 6dBs reaching its peak at -7dB. Let’s illustrate this with a simple formula:

In this formula you can see the basics of calculating the output of a compressor.

Audio Compression Formula

Just a simple formula

If we take the example above and apply it to this formula, we get this:

Audio Compressor Example

So you see, that if we have a higher ratio, we compress the signal more resulting in less signal at the output. Say we have an example of a loud kick drum that’s peaking at +4dB but we have a threshold at -20dB and a ratio of 8:1. That’s a lot of compression but serves to illustrate a point.

We have a dynamic range of 24 dBs, from -20dB to +4dB. We are compressing everything that goes over -20dB by a ratio of 8:1.

Let’s plug those numbers into the equation:

Kick Drum Compression

The highest peaks of the kick drum that are reaching +4dB before are now only reaching -17dB! That 24dB dynamic range we had from -20dB to +4dB has been reduced to 3dB. Talk about over-compression!

Even though these formulas don’t have much to do with how you compress – since it’s an artistic process that relies more on ears than mathematics – it does serve a purpose in explaining the underlying principle of the how a compressor works.

Compression doesn’t have to be hard. You just need to understand what you’re doing and how to use it. Learn how to use compression with my video: 10 Ways to Use Compression Effectively that comes included with EQ Strategies – The Ultimate Guide to EQ.

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About Audio Issues and Björgvin Benediktsson

At Audio Issues you’ll learn simple and practical audio production tips you can use right away to improve your music from your home recording studio.  Björgvin is the best-selling author of Step By Step Mixing and the founder of Audio Issues. He helps musicians and producers turn amateur demos into professionally produced records they can be proud to release.

We help home studio musicians and project studio producers make a greater musical impact in their lives by teaching them the skills needed to grow their hobbies and careers. We do this by offering simple and practical music production and success skills they can use right away to level themselves up – while rejecting negativity and gear-shaming from the industry. A rising tide floats all boats and the ocean is big enough for all of us to surf the sound waves.

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