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How Subtlety Makes You Fall In Love With a Mix Over and Over Again


I was driving around town the other day.

Going a route I’ve gone a thousand times before.

But this time I happened to notice this house that I’d never seen before.

Even though I drive past that house all the time I was pretty sure I was seeing it for the first time.

Hearing New Things Every Time

Isn’t that exactly what great music is all about?

Being able to listen again and again to a certain musical production but it’s so elaborate you keep hearing new things every time you hear it?

Yes’s “Owner of a Lonely Heart” comes to mind when I say that. It seems there’s always something new in that song every time I hear it.

And that’s exactly what you should strive for when you’re producing.

Make your listener discover new things in your mix every time. -Click to Tweet!

Look at it like an Easter Egg hunt of sorts where you’ve strewn all these cool production ideas and mixing tricks into your song for the listener to discover.

Some elements are “filler” but they shouldn’t just be thrown into the background without another thought.

Subtle Mixing of Percussion

Take percussion for example:

I’m mixing this song and we overdubbed congas and tambourine over the drum beat.

Now I look at that percussion as a secondary instrument that shouldn’t take away from the drums.

So I mix the percussion in very softly with the drums. You can barely hear it but by being subtle I accomplish two things:

  1. The congas add a rhythmic pulse to the song that enhance the drum beat. Even though you can’t really hear the congas you can definitely feel them adding to the rhythm.
  2. The tambourine fills up the drum mix. It adds to the backbeat in the quiet verses when it’s played along the snare and it adds excitement in the choruses when it’s shaken along with the rhythm.

So even though the percussion doesn’t take the lead in any way it makes the other instruments shine. Next time you’re mixing, think about how you can blend some instruments into the background so that they’re felt rather than heard.

It’s the careful blending of instruments like this that makes never noticed that before!”

For more on my approach to mixing and how to spice up your productions check out  Recording & Mixing Strategies:

www.audio-issues.com/strategies

Image by: John-Morgan

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About Audio Issues and Björgvin Benediktsson

We help musicians transform their recordings into radio-ready and release-worthy records they’re proud to release.

We do this by offering simple and practical music production and success skills they can use immediately to level themselves up – while rejecting negativity and gear-shaming from the industry. A rising tide floats all boats and the ocean is big enough for all of us to surf the sound waves.

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