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Audio Production Advice From Top Producers

Sometimes it’s nice just to listen. So instead of generating production ideas from my experiences or from deep research, I’d like to present some great audio production advice from a few of the top producers ever.

I’ve included a little background on the producer as well as they’re production advice. And make sure you check out the production checklist at the end.

Brian Eno

Eno has worked so many artists you’ve heard of, it’s a bit ridiculous. Here’s a quick rundown of the artists he’s worked with:

  • Genesis
  • The Penguin Cafe Orchestra
  • Talking Heads
  • U2
  • David Bowie
  • Coldplay

And the list goes on. I don’t know about you, but I want to listen to any production advice he has.

In an interview with The Guardian, Eno said certain sounds deserve to be space-fillers instead of strictly musical.

“There are certain sounds that I’ve found work well in nearly any context,” he said. “Their function is not so much musical as spatial: they define the edges of the territory of the music…They are pictorial elements that create the foreground, background, and make the space in the middle. They activate it, and that’s the space you can then put things in.”

He also talked about music as painting, creating a colorful canvas of sounds.

“Once music ceases to be ephemeral – always disappearing – and becomes instead material…it leaves the condition of traditional music and enters the condition of painting,” he said. “It becomes a painting, existing as material in space, not immaterial in time.”

George Martin

George Martin is most known for his work with The Beatles, often called “The Fifth Beatle” because he was so involved in the band. But he’s also worked with Elton John, Jeff Beck, America, Kenny Rogers, Celine Dion, and many others.

And draws a hard line between technology as an instrument and technology as a tool.

“I’ve always regarded technology as a tool,” he said. “When I first started using automation and computers, I insisted that they should still be tools and that the synthesizer should be an instrument. I’ve always liked the combination of synthesized sound with natural sound. That happens to be my taste. A purely synthetic sound tends to be a little bit too sterile for me.”

At the same time, he says producers should keep an open mind when approaching different sounds and genres.

“I just think a budding record producer should keep an open mind always, examine every kind of music, and appraise the good in everything, rather than channel himself too much in one direction,” he said.


deadmau5 is the stage name of Joel Thomas Zimmerman, and he makes electronic house music. He’s won a bunch of awards for his music, including six Grammy nominations. He also has a music production class on MasterClass.

Clearly, he’s worked hard for these accomplishments. And that’s something he wants other producers to realize.

“I don’t want you to fake your way through life and have this contrived career thinking that you’re going to make a million dollars being a DJ,” he said. “The message really is that you’ve gotta put in the work.”

Rick Rubin

Rubin is the type of producer I’d love to work with — he’s straightforward and precise. He also works very slowly, sometimes taking years to finish an album. He says that’s because of the songwriting.

“…I try to get the artist to feel like they are writing songs for the ages rather than songs for an album,” he told The New York Times. “As they write, they come over and play the songs for me. For some reason, most people will write ten songs and think, That’s enough for a record, I’m done. When they play the songs for me, invariably, the last two songs they’ve written are the best. I’ll then say, ‘You have two songs, go back and write eight more.’”

What To Do With All Of This Audio Production Advice?

The next time you’re producing an album for yourself or someone else, run through this checklist:

  • Use sounds to create space in your songs, like you’re painting.
  • Use technology as a tool and try out as many tools and sounds as possible.
  • Put in the work.
  • Write more songs than you think you need — many times the last songs will be the best.
  • Get the best recording possible in order to honor your songs.

These are tips from the top producers, so they’re worth listening to. I know I’ll be taking their advice going forward.

Caleb J. Murphy is a singer-songwriter and music producer based in Austin, Tx., and the founder of Musician With A Day Job, a blog that helps part-time musicians succeed.

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At Audio Issues you’ll learn simple and practical audio production tips you can use right away to improve your music from your home recording studio.  Björgvin is the best-selling author of Step By Step Mixing and the founder of Audio Issues. He helps musicians and producers turn amateur demos into professionally produced records they can be proud to release.

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